Interlocution (lyrics, G. Setzer) we can’t calculate / so we estimate / these delusions of grandeur / we cannot touch / no we cannot touch / each other’s experience / sound / the sound the sound / is where we come from / interlocution / interlocution / singularity / perspectivity / the illusion of company / we try to hear / but we hear the try / this attempt is dialog / sound / the sound the sound / is where we come from / interlocution / interlocution / if we want to (we want to) / if we want to reach conclusions / let it take shape (we want to) / and we know it cannot be resolved / if we want to (we want to) / if we want to reach conclusions / let it take shape (we want to) / and we know it cannot be / like slipping clay / when we try to speak / the crumpled gesture folds / two sets of hands / three sets of hands / the intention is modified / sound / the sound the sound / is where we come from / interlocution / interlocution

Electricity (lyrics, G. Setzer) e-l-e-c-t-r-i-c-i-t-y / larger implications in an insulated wire / it can’t stand still / invention won’t hold still / a-p-p-l-i-c-a-t-i-o-n / john henry and machine, working side by side / invention can provide / watch how it provides / breathe in, i will investigate the modern man that i can be (i see it breathing) / breathe out, i know not what this means we are dependent on machines (i see it moving) / breathe in, i will investigate the modern man that i can be (i see it breathing) / breathe out, i know not what this means we are dependent on machines (i see it moving) / t-e-c-h-n-o-l-o-g-y / invention as a means to fabricate the sky / the horizon is not real / it simply is not real / r-e-l-a-t-i-v-i-t-y / the applications spill and transform into pride / it can’t be denied / they just can’t be denied / breathe in, i will investigate the modern man that i can be (i see it breathing) / breathe out, i know not what this means we are dependent on machines (i see it moving) / breathe in, i will investigate the modern man that i can be (i see it breathing) / breathe out, i know not what this means we are dependent on machines (i see it moving) / l-i-v-i-n-g e-n-t-i-t-y / an independent body pilots through its time / the organism grows / and walks along our sides

Moving (lyrics, G. Setzer) when you’re walking are you talking to yourself / words are moving disregarding anything / calculating without touching anything / like a number these clean symbols cannot be / i don’t know where i am but i know these things will always change / standing still or moving moments passing won’t accept the frame / assign them names so they remain this nomenclature can’t contain / like astro-turf instead of grass this simulacra builds no entryway / (its moving and its real) / when you’re moving are you moving is it real / can we access universals can we feel / numbers shifting, letters breathing without wheels / i don’t know where i am but i know these things will always change / standing still or moving moments passing won’t accept the frame / assign them names so they remain this nomenclature can’t contain / like internet instead of flesh this simulacra builds no entryway / (its moving and its real) / moving rhetoric and the clock both work the same / the clock dissolves into the words and it’s the same / the tool provides but this clean world does not feel real / write equations but it cannot be the same / paint a picture but it cannot be the same / moving eyes, moving ears, moving mouth

The Violence (lyrics, G. Setzer) these things they take some time to sort through, for you i will do this / my mouth is moving but there’s nothing coming through the opening / phonemes form into displays that say something, or they pretend to / answer questions without answers, like placebos they deliver / one, two, three, four, five, six (the violence, the violence) / how it will resonate (it turns to silence) / one, two, three, four, five, six (the violence, the violence) / how it will resonate (it turns to silence) / place division works with words in order, they will tell you something / action and non-action build reciprocal communication / space between the utterance differentiates the page from symbol / qualitative recognition, swaying circles manufacture / one, two, three, four, five, six (the violence, the violence) / how it will resonate (it turns to silence) / one, two, three, four, five, six (the violence, the violence) / how it will resonate (it turns to silence) / enter worlds through these conclusions, like assumptions, they will tell you / opposing values render finite lines on finite spaces that are / platforms built for standing on to gain perspective through procedure / a constant stream of text would not allow for these investigations / the underlying space can still account for multiplicity

Atomic (lyrics, G. Setzer) the microscope can see scraps that build our every move / but can we identify with reduced identity / where are we, what are we, who are we, what do we do and how should we do it? / soft machines, abstract needs / why don’t we, fall apart into sub-atomic pieces? / as crazy as it sounds these atomic structures bounce / and their meaning is implied when we operate ourselves / where are we, what are we, who are we, what do we do and how should we do it? / soft machines, abstract needs / why don’t we, fall apart into sub-atomic pieces? / why don’t we fall apart? (we are falling apart) / involuntary glue between the pieces of ourselves / and we orchestrate the path commanding every little piece / where are we, what are we, who are we, what do we do and how should we do it? / soft machines, abstract needs / why don’t we, fall apart into sub-atomic pieces? / millions of them sing in this one majestic voice / and our action can reveal that our choice won’t be unheard / where are we, what are we, who are we, what do we do and how should we do it? / soft machines, abstract needs / why don’t we, fall apart into sub-atomic pieces? / why don’t we fall apart? (we are falling apart) / (i like what i say, don’t like what i do, if i do it right, i’ll be just like you)

Dance With Me (lyrics, B. Haehn) dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / take off your pants with me / my baby’s got new shoes / but daddy’s got them too / i see them in the afternoon / i like them in the afternoon / my baby’s got new shoes / but daddy’s got them too / i see them in the afternoon / i like them in the afternoon / you better come on / lace ‘em up girl / put ‘em on your feet / i wanna see ya on the dance floor / you better dance with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me / yeah, ya got ‘em on your feet girl / you’re shufflin’ my way / i wanna see ya girl / bring it back my way / dance with me / dance with me / come on and dance with me / dance with me / dance with me / take off your pants with me / i love your lips / so soft and thick / i just want one kiss / why won’t you give me just one kiss / i love your lips / so soft and thick / i just want one kiss / i just want one damn kiss / you better come on now / get your shoes on / you’re walkin’ my way / i wanna see your lips / pucker up now girl / dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / take off your pants with me / dance with me / dance with me / come on and dance with me / dance with me / dance with me / come on and dance with me

C.E.T.M. (lyrics, B. Haehn & G. Setzer) i wanna see ya move / i wanna see ya shake it / i wanna hear ya scream / canada’s electric tiger machine (x5) / squirrels pee on trees not on houses / they like it when the cats eat all of the mouses / i lean to the left, i lean to the right / i cover the microphone with shit and then i take a bite / the cats get fat and the birds they get fatter / i wanna turn them all into chicken batter / i put my hand in the sky, i put my hand on the ground / i look at you and sing a song about up and down / like shit ice-cream / it’s a dream to rhyme / and all you fake emcees / should get creamed for crime / because i wanna see you move / i wanna see ya shake it / i wanna hear ya scream / canada’s electric tiger machine (x5)

Disappear (lyrics, G. Setzer) there was no control and no autonomy / somatic nerves can’t serve what they cannot see / there was no control and no autonomy / erasers are incompatible with memory / our time has come / and so we disappear / and if we return / we will never have been here / will time forget / what we can’t forgive / can it disappear / we will never have been here / / there was no control and no autonomy / somatic nerves can’t serve what they cannot see / there was no control and no autonomy / erasers are incompatible with memory / what if we pretend / that we were never here / will we disappear / like revisionist historians / can we rearrange / what we cannot reach / make it disappear / like revisionist historians / there was no control and no autonomy / somatic nerves can’t serve what they cannot see / there was no control and no autonomy / erasers are incompatible with memory

You and me (lyrics, B. Haehn) bitch on a billboard / she had to put out / to get put up / she had to put out / had to put out / had to put out / had to put out / bitch on a billboard / she ain’t nothin’ / but a billboard slut / she had to put out / had to put out / had to put out / had to put out / what’s the diff between her and you and me / her and you and me / her and you and me / what’s the difference / there ain’t nothing i can see / yeah, what’s the diff between her and you and me / her and you and me / her and you and me / what’s the difference / there ain’t nothing i can see / go / bitch on a billboard / she had to put out / to get put up / she had to put out / had to put out / had to put out / had to put out Disclaimer: While this song employs several ethically questionable phrases, they are not employed to objectify or empower either the male or female gender. Their use intends to parody the absurdity of the existence of misogyny and sexism in a contemporary setting and by no means propagates the continuance of these injustices. CETM supports ideologies of equality for all and we ask that if you duplicate these songs, play them on the air, etc. that you contextualize them as such. If you are sexist, stop being an asshole and go to a psychologist to work out your issues.

Atmospheria (lyrics, G. Setzer) we play submersible / and infiltrate the atmosphere / this layered epidermis / resists interpretation / the sets are finite and / our words can sense delivery / we micro-specialize / a route out of infinity / down down down down / atmospheria / down down down down / atmospheria / in here we can become / the specialist (gravitation) / in here we touch things as / the specialist (infiltrator) / discursive planetary form / we pierce the surface / our words will gravitate / they want to be contained / in here we can become / the specialist (gravitation) / in here we touch things as / the specialist (infiltrator) / what does a nucleus, a core / provide in theory? / a slim reality the margins gain their waiver / down down down down / atmospheria / down down down down / atmospheria

Dr. Awareness (lyrics, B. Haehn) uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, yeah / uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, yeah / uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, uh huh, yeah / one, two, three, go / i know ya wanna do it / bad girls wanna do it / no means yes and yes means yes / no means yes and yes means yes / i know ya wanna do it / all girls wanna do it / no means yes and yes means yes / no means yes and yes means yes / i know ya wanna do it / we all wanna do it / no means yes and yes means yes / no means yes and yes means yes / two more times / no means yes and yes means yes / no means yes and yes means yes / go go go go go go go go Disclaimer: While this song employs several ethically questionable phrases, they are not employed to objectify or empower either the male or female gender. Their use intends to parody the absurdity of the existence of misogyny and sexism in a contemporary setting and by no means propagates the continuance of these injustices. CETM supports ideologies of equality for all and we ask that if you duplicate these songs, play them on the air, etc. that you contextualize them as such. If you are sexist, stop being an asshole and go to a psychologist to work out your issues.

And You Go (lyrics, G. Setzer) this planet of mystery we enter without vision / we are exposed to many types of information / a steady flow, i saw you drown in your conclusions / these forms are hollow you can fill them up with almost anything / it might not matter what the substance is all matter is the same / so when your reason goes away away away away / please pay attention to the things i say i say i say / and you go and you go and you go / and you go and you go and you go / we have no history, our eyes are always open / disjointed bones we pile and hope they reawaken / look through the shadows as this surface is no record / these forms are hollow you can fill them up with almost anything / it might not matter what the substance is all matter is the same / so when your reason goes away away away away / please pay attention to the things i say i say i say / and you go and you go and you go / and you go and you go and you go

Babies’ Heads (lyrics, B. Haehn & G. Setzer) go go go / go go go / go go go / and you love it / and you need it / and you see it in your sleep / and it’s there everyday / when it’s time to eat / but you love it / and you need it / ‘cause it’s already there / and it is nothin’ but a baby’s head / it’s a baby’s head / you’re better off dead / then to mess with baby’s head / it’s a baby’s head / and now it’s there / i can see it on your face / and it is nothin’ / but a, a big disgrace / and you love it / and you need it / ‘cause it’s already there / and it’s a baby’s head / it’s a baby’s head / you’re better off dead / then to mess with baby’s head / it’s a baby’s head (the shape is small and you can see, the skull protects the brain from things, the slate is blank the day grows dark, nature nurture, you make your mark)

March On (lyrics, A. Ranville & G. Setzer) bind together with copper wire / these hybrid human bones / forge a fake within the fire / as to never live alone / invoke the myths of gods and gears / this hardly holy construction / move forward still, absorb the fears / insuring our destruction / (we will) / march on march on march on (into the cold ground) / march on march on march on (over body and sound) / march on march on march on / march on march on march on / it walks like me, it talks like me / its manner is the same / identical automaton / programmed to know its name / if we divide, can we divide / our consciousness from action / we replicate and simulate / progress with no distraction / (we will) / march on march on march on (into the cold ground) / march on march on march on (over body and sound) / march on march on march on / march on march on march on / the state of states necessitates / robotic interaction / locate the mode that fosters drive / the body is the fraction / electric self, provides the mind / a body counterpart / we separate the mind from drive / the background plays its part / (we will) / march on march on march on (into the cold ground) / march on march on march on (over body and sound) / march on march on march on / march on march on march on

Slowly Everything (lyrics, G. Setzer) in this structure, contained activity / the walls and architecture, retention / a floor plan history / it’s lines will circumscribe / my anatomy / and I don’t see the difference / between my feet and architecture / the patterns shifting / walls recording / these symptomatic signs of lines / and we are becoming / translucent, transparent (integrated) / translucent, transparent (integrated)